{"id":12322,"date":"2026-07-05T18:30:56","date_gmt":"2026-07-05T16:30:56","guid":{"rendered":"https:\/\/www.radioklara.org\/radioklara\/?p=12322"},"modified":"2026-07-05T18:30:56","modified_gmt":"2026-07-05T16:30:56","slug":"els-camins-de-la-musica-la-pedrera-de-sedajazz-el-futur-02-07-26","status":"publish","type":"post","link":"https:\/\/www.radioklara.org\/radioklara\/els-camins-de-la-musica-la-pedrera-de-sedajazz-el-futur-02-07-26\/","title":{"rendered":"Els Camins de la M\u00fasica. La pedrera de SEDAJAZZ: El futur 02\/07\/26"},"content":{"rendered":"<p style=\"text-align: justify;\">Si hi ha un projecte del qual est\u00e0 satisfet <a href=\"https:\/\/caminsdelamusica.blogspot.com\/search?q=latino\" target=\"_blank\" rel=\"noopener\"><b>Francisco Blanco \u00abLatino<\/b><\/a>\u00bb \u00e9s de poder treure, de tant en tant, un disc amb la m\u00fasica que, despr\u00e9s del treball a les classes de l&#8217;Alqueria Coca, es grava una actuaci\u00f3 en directe, que resta com a testimoni per a la hist\u00f2ria de <a href=\"https:\/\/caminsdelamusica.blogspot.com\/search?q=sedajazz\" target=\"_blank\" rel=\"noopener\"><b>SEDAJAZZ<\/b><\/a>, <i>un pas m\u00e9s, una fita m\u00e9s acomplida.<\/i><\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Despr\u00e9s alguna gent continuar\u00e0 la seua traject\u00f2ria ampliant coneixements arreu del m\u00f3n, d&#8217;altres continuaran conreant la m\u00fasica en un \u00e0mbit m\u00e9s pr\u00f2xim i d&#8217;altres, de\u00a0tota manera, no oblidaran mai el seu pas per eixe lloc, ni les companyes i companys amb les i els quals varen fer junts uns anys de travessia pel cam\u00ed de la m\u00fasica. El que han apr\u00e9s en aquell lloc de <span class=\"sc-sentence lt lt-typographical\" data-match-id=\"9488511d-7eee-4100-b397-e7972c319ad6\">La<\/span> Torre no l&#8217;oblidaran mai i, a m\u00e9s, en tot cas, sabran degustar la m\u00fasica com no ho podran fer aquells que no han anat per enll\u00e0, ni l&#8217;ambient de respecte entre gent d&#8217;edats diverses, inclosos gent de set anys &#8230; <span class=\"sc-sentence lt lt-typographical\" data-match-id=\"a3c72abc-06e3-4e5f-93de-ae0fe35f910c\">i<\/span> jubilats que passen tamb\u00e9 per l&#8217;alqueria per a poder gaudir del que, per raons diverses, no veren poder gaudir en temps anteriors i ara recuperen \u00abel temps perdut\u00bb: ac\u00ed el \u00abtroben\u00bb.<\/p>\n<p style=\"text-align: justify;\">Poc puc afegir a tot el que des d&#8217;este programa s&#8217;ha dit de la tasca que es fa a <b>SEDAJAZZ<\/b>. Poc a afegir a la tasca que<b> Francisco Blanco \u00abLatino<\/b>\u00bb i el selecte grup de professores i professors que, amb tot l&#8217;amor per la m\u00fasica -de jazz en este cas, per\u00f2 no sols- dediquen els seus esfor\u00e7os i saber musical per a transmetre&#8217;l a la jovenalla que hi acudeix.<\/p>\n<p style=\"text-align: justify;\">La <i><u>herc\u00falia tasca <\/u><\/i>que fan per mantindre, <i>sense un recolzament important de les institucions p\u00fabliques<\/i>, per obrir cada dia les portes de les aules <i>gratant els diners de sota les pedres<\/i> no ha estat encara reconegut, com cal, per la gent de l'\u00bbestablishment\u00bb valenci\u00e0, per consolidar un projecte que descansa en uns pocs muscles.<\/p>\n<p style=\"text-align: justify;\">Tant de bo que, algun dia, no s\u00e9 quan, aix\u00f2 canvie i l&#8217;estabilitat d&#8217;un projecte engrescador com pocs estiga assegurada.<\/p>\n<p style=\"text-align: justify;\">Hui, al programa dels Camins de la M\u00fasica, podreu escoltar, en gravacions en directe portades al disc, el testimoni <i>dels dos grups de gent m\u00e9s \u00abimportant de <b>SEDAJAZZ<\/b><\/i>\u00ab: les <i><u>personetes d&#8217;entre set a tretze anys i les de catorze fins a divuit <\/u><\/i>i poc m\u00e9s; \u00e9s a dir, EL FUTUR DE LA M\u00daSICA DE JAZZ AL PA\u00cdS VALENCI\u00c0.<\/p>\n<p style=\"text-align: justify;\">Moltes gr\u00e0cies, gent de l&#8217;Alqueria Coca i PER MOLTS ANYS; i ja en duen TRENTA-CINC!<span class=\"sc-sentence lt lt-typographical\" data-match-id=\"f1ea8c76-9670-4f66-a0c3-ad64bd02b749\">!.<\/span><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-12322-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.caminsdelamusica.net\/programes\/camins761-pedrera-sedajazz.mp3?_=1\" \/><a href=\"http:\/\/www.caminsdelamusica.net\/programes\/camins761-pedrera-sedajazz.mp3\">http:\/\/www.caminsdelamusica.net\/programes\/camins761-pedrera-sedajazz.mp3<\/a><\/audio>\n<div id='gallery-1' class='gallery galleryid-12322 gallery-columns-2 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.radioklara.org\/radioklara\/els-camins-de-la-musica-la-pedrera-de-sedajazz-el-futur-02-07-26\/1737976993_a0621730801_10\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.radioklara.org\/radioklara\/wp-content\/uploads\/2026\/07\/1737976993_a0621730801_10-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.radioklara.org\/radioklara\/els-camins-de-la-musica-la-pedrera-de-sedajazz-el-futur-02-07-26\/1737978235_a2736130560_10\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.radioklara.org\/radioklara\/wp-content\/uploads\/2026\/07\/1737978235_a2736130560_10-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Si hi ha un projecte del qual est\u00e0 satisfet Francisco Blanco \u00abLatino\u00bb \u00e9s de poder treure, de tant en tant, un disc amb la m\u00fasica que, despr\u00e9s del treball a les classes de l&#8217;Alqueria Coca, es grava una actuaci\u00f3 en directe, que resta com a testimoni per a la hist\u00f2ria de SEDAJAZZ, un pas m\u00e9s,<\/p>\n","protected":false},"author":2,"featured_media":12324,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"sns_share_botton_hide":"","vkExUnit_sns_title":"","_vk_print_noindex":"","sitemap_hide":"","_veu_custom_css":"","veu_display_promotion_alert":"","vkexunit_cta_each_option":"","footnotes":""},"categories":[791],"tags":[849,819,801,1294],"class_list":["post-12322","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-podcast","tag-els-camins-de-la-musica","tag-musica","tag-podcast","tag-sedajazz"],"veu_head_title_object":{"title":"","add_site_title":""},"_links":{"self":[{"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/posts\/12322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/comments?post=12322"}],"version-history":[{"count":0,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/posts\/12322\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/media\/12324"}],"wp:attachment":[{"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/media?parent=12322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/categories?post=12322"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/tags?post=12322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}