{"id":12149,"date":"2026-04-20T01:06:19","date_gmt":"2026-04-19T23:06:19","guid":{"rendered":"https:\/\/www.radioklara.org\/radioklara\/?p=12149"},"modified":"2026-04-20T01:06:19","modified_gmt":"2026-04-19T23:06:19","slug":"els-camins-de-la-musica-un-mestre-absolut-del-jazz-no-massa-conegut-martial-solal-ii-02-04-26","status":"publish","type":"post","link":"https:\/\/www.radioklara.org\/radioklara\/els-camins-de-la-musica-un-mestre-absolut-del-jazz-no-massa-conegut-martial-solal-ii-02-04-26\/","title":{"rendered":"Els Camins de la M\u00fasica. Un mestre absolut del jazz no massa conegut: Martial Solal &#8211; II 02\/04\/26"},"content":{"rendered":"<p style=\"text-align: justify;\">Continuem amb\u00a0 <b><a href=\"https:\/\/jazzjournal.co.uk\/2019\/12\/28\/martial-solal-trio-complete-recordings-1953-1962\/\" target=\"_blank\" rel=\"noopener\">Martial Solal.<\/a><\/b>Hui s&#8217;escoltar\u00e0 al programa m\u00fasiques encara arrelades a la seua \u00e8poca <i>bopper <\/i>i altres que ja anaven mostrant la seua ductilitat estil\u00edstica.<\/p>\n<p>Unes primeres peces encara clarament <i>boppers<\/i>, per\u00f2 ara <i>en format de trio<\/i>, \u00e9s la m\u00fasica que us propose inicialment. Un format del jazz que, clarament hereu de les f\u00f3rmules cambr\u00edstiques europees, va arrelar amb for\u00e7a al jazz constituint-se en el format m\u00e9s utilitzat en la seua hist\u00f2ria, i amb un \u00fas que no ha decaigut en cap manera.<\/p>\n<p>La seua<i> profunda educaci\u00f3 musical, per m\u00e9s que fora pr\u00e0cticament autodidacta<\/i>, i el seu absolut domini t\u00e8cnic de l&#8217;instrument, el varen espentar a fer provatures amb formats m\u00e9s extensos dels habituals amb una <i>mini-suite,<\/i> <i><u>\u00abSuite pour un frise\u00bb, <\/u><\/i>de vora dotze minuts, amb unes formes musicals que, clarament, s&#8217;acostaven a les europees de la m\u00fasica cl\u00e0ssica, encara que amb un al\u00e9 clarament bopper.<\/p>\n<p>A continuaci\u00f3, com una mostra de la seua intenci\u00f3 de no perdre-li el pas a l&#8217;evoluci\u00f3 d&#8217;esta m\u00fasica, vos oferim una pe\u00e7a gravada <i>dues d\u00e8cades despr\u00e9s <\/i>del primer que s&#8217;ha escoltat: un duo de piano i saxo tenor -un format poc corrent- amb, ni m\u00e9s ni menys que <b><a href=\"https:\/\/en.wikipedia.org\/wiki\/Duplicity_(Lee_Konitz_and_Martial_Solal_album)#Track_listing\" target=\"_blank\" rel=\"noopener\">Lee Konitz<\/a><\/b>, un m\u00fasic que, consagrat ja als anys cinquanta, no es deix\u00e0 arrossegar per l&#8217;onada del <i>bebop<\/i>, sent un dels primers a conrear una forma jazz\u00edstica totalment allunyada dels <i>boppers<\/i>, l&#8217;anomenat estil <i>\u00abcool\u00bb,<\/i> del qual \u00e9s un dels principals exponents, a la costa oest dels Estats Units; a l&#8217;altra punta d&#8217;on el bop feia furor.<\/p>\n<p>Per\u00f2 aix\u00f2 no \u00e9s tot. El pr\u00f2xim programa arrodonirem la r\u00e0pida ullada a l&#8217;obra de <b><a href=\"https:\/\/apoloybaco.com\/jazz\/martial-solal\/\" target=\"_blank\" rel=\"noopener\">Martial Solal <\/a><\/b>amb u<i>n parell de peces orquestrals de m\u00e9s ambiciosa volada<\/i>, ja en la seua maduresa, que potser sorprendran a molta gent. I \u00e9s que aix\u00ed va ser este algeri\u00e0 nacionalitzat franc\u00e9s i entronitzat a l&#8217;olimp del jazz, amb una obra extensa, variada i mai avorrida ni repetitiva. Un compositor excepcional que, tant en la \u00abinspiraci\u00f3 instant\u00e0nia\u00bb dels solos al seu piano, com en la inspiraci\u00f3 expressada en peces de m\u00e9s ambici\u00f3 formal, no deixa mai indiferent.<\/p>\n<p>Un aut\u00e8ntic geni musical, g\u00e8neres a banda.<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-12149-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.caminsdelamusica.net\/programes\/camins749-martialsolal2.mp3?_=1\" \/><a href=\"http:\/\/www.caminsdelamusica.net\/programes\/camins749-martialsolal2.mp3\">http:\/\/www.caminsdelamusica.net\/programes\/camins749-martialsolal2.mp3<\/a><\/audio>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12150 aligncenter\" src=\"https:\/\/www.radioklara.org\/radioklara\/wp-content\/uploads\/2026\/04\/solal.jpg\" alt=\"\" width=\"474\" height=\"355\" srcset=\"https:\/\/www.radioklara.org\/radioklara\/wp-content\/uploads\/2026\/04\/solal.jpg 474w, https:\/\/www.radioklara.org\/radioklara\/wp-content\/uploads\/2026\/04\/solal-300x225.jpg 300w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Continuem amb\u00a0 Martial Solal.Hui s&#8217;escoltar\u00e0 al programa m\u00fasiques encara arrelades a la seua \u00e8poca bopper i altres que ja anaven mostrant la seua ductilitat estil\u00edstica. Unes primeres peces encara clarament boppers, per\u00f2 ara en format de trio, \u00e9s la m\u00fasica que us propose inicialment. Un format del jazz que, clarament hereu de les f\u00f3rmules cambr\u00edstiques<\/p>\n","protected":false},"author":2,"featured_media":12150,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"sns_share_botton_hide":"","vkExUnit_sns_title":"","_vk_print_noindex":"","sitemap_hide":"","_veu_custom_css":"","veu_display_promotion_alert":"","vkexunit_cta_each_option":"","footnotes":""},"categories":[791],"tags":[849,1549,819,801],"class_list":["post-12149","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-podcast","tag-els-camins-de-la-musica","tag-martial-solal","tag-musica","tag-podcast"],"veu_head_title_object":{"title":"","add_site_title":""},"_links":{"self":[{"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/posts\/12149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/comments?post=12149"}],"version-history":[{"count":0,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/posts\/12149\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/media\/12150"}],"wp:attachment":[{"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/media?parent=12149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/categories?post=12149"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/tags?post=12149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}