{"id":11765,"date":"2026-01-26T01:15:31","date_gmt":"2026-01-25T23:15:31","guid":{"rendered":"https:\/\/www.radioklara.org\/radioklara\/?p=11765"},"modified":"2026-01-26T01:16:44","modified_gmt":"2026-01-25T23:16:44","slug":"la-nostra-veu-durba-el-mon-de-la-pilota-es-conservador-en-el-bon-sentit-22-01-26","status":"publish","type":"post","link":"https:\/\/www.radioklara.org\/radioklara\/la-nostra-veu-durba-el-mon-de-la-pilota-es-conservador-en-el-bon-sentit-22-01-26\/","title":{"rendered":"La Nostra Veu. Durb\u00e0: \u201cEl m\u00f3n de la pilota \u00e9s conservador en el bon sentit\u201d 22\/01\/26"},"content":{"rendered":"<div>\n<div class=\"story_block opening_story opening_story_viewer full_width hidden-xs \">\n<div class=\"story_block_data \">\n<div class=\"content_subtitle\">\n<p style=\"text-align: justify;\"><em>Sergi Durb\u00e0 i Ricard Chuli\u00e0 presenten al p\u00f2dcast de \u00abLa Nostra Veu\u00bb el llibre \u00abPelayo Blues\u00bb que usa la pilota com a met\u00e0fora per parlar de llengua, barri, modernitat i futur<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"post-columns\">\n<div class=\"col-xs-12 col-sm-9 col-md-9 col-lg-9 col-sm-offset-1 col-md-offset-1 col-lg-offset-1 size4\">\n<div class=\"csl-inner csl-hot\">\n<div class=\"post-author-and-date\" style=\"text-align: justify;\">\n<div class=\"image-author\"><\/div>\n<h4 class=\"post-author-date\"><span class=\"post-author site-color-text\"><a class=\"author-list-item-name site-color-text site-color-text-27\" href=\"https:\/\/www.diarilaveu.cat\/societat\/podcast-durba-el-mon-de-la-pilota-es-conservador-en-el-bon-sentit-621574\/\" target=\"_blank\" rel=\"noopener\">Josan Piqueres<\/a><\/span><\/h4>\n<\/div>\n<article class=\"content story_block\">\n<div class=\"article-content\">\n<div class=\"content_text\">\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">El p\u00f2dcast de <em>La Nostra Veu<\/em> asseu a l\u2019estudi <strong><a href=\"https:\/\/www.diarilaveu.cat\/cultura\/sergi-durba-els-gestors-es-ploraven-520151\/\" data-type=\"post\" data-id=\"520151\">Sergi Durb\u00e0<\/a><\/strong> i <strong><a href=\"https:\/\/www.diarilaveu.cat\/cultura\/sha-mort-el-compositor-catarrogi-salvador-chulia-599817\/\" data-type=\"post\" data-id=\"599817\">Ricard Chuli\u00e0<\/a><\/strong>, editor de <strong>Rebel Edicions<\/strong>, amb una idea que travessa tota la conversa: el trinquet de <strong>Pelayo de Val\u00e8ncia (l\u2019Horta) <\/strong>\u00e9s un escenari esportiu, s\u00ed, per\u00f2 tamb\u00e9 un mirall del pa\u00eds. L\u2019excusa \u00e9s <em>Pelayo Blues<\/em>, un volum de 174 p\u00e0gines que es presenta com una immersi\u00f3 setmanal al cor del Cap i Casal i que fuig expl\u00edcitament de la cr\u00f2nica esportiva pura. Un m\u00f3n que l\u2019escriptor de Sagunt considera \u201cconservador\u201d en el bon sentit de la paraula. \u00c9s a dir, que \u201cconserva l\u2019esport aut\u00f2cton\u201d.<\/p>\n<p><iframe loading=\"lazy\" title=\"Sergi Durb\u00e0 | La Nostra Veu #82\" src=\"https:\/\/www.youtube.com\/embed\/79UA72-RDO8?list=PLAHAIucySUrs1-fWndzunjP4JZxKt7gu1\" width=\"747\" height=\"429\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Durb\u00e0 explica que el t\u00edtol va arribar quan ja tenia el projecte en marxa. \u201cEn realitat no era eixe t\u00edtol, el que tenia pensat en un principi\u201d, conta, abans de revelar la primera idea \u2014<em>La partida del dissabte<\/em>\u2014 i el moment del canvi: <strong>\u201cA mesura que anava escrivint, em va vindre la inspiraci\u00f3 i em va agradar molt com sonava aix\u00f2 de Pelayo Blues\u201d<\/strong>. El concepte <em>blues<\/em>, afig, li servia per a dir <strong>\u201cmalenconia, tristesa, i tamb\u00e9 un poc de reivindicaci\u00f3 d\u2019un m\u00f3n que es perd\u201d<\/strong>.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.ivoox.com\/player_ej_167177844_6_1.html?c1=c6504f\" width=\"100%\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Chuli\u00e0, que situa el llibre dins d\u2019una aposta editorial nova, remarca que <em>Pelayo Blues<\/em> enceta la col\u00b7lecci\u00f3 <em>Contracorda <\/em>amb un objectiu clar: <strong>\u201cVolem apostar per reflexionar sobre el m\u00f3n de la pilota, per\u00f2 el m\u00f3n de la pilota per explicar el pa\u00eds\u201d<\/strong>. I ho aterra amb una s\u00edntesi que marca el to del programa: <strong>\u201cEl llibre agafa la pilota, parteix de la pilota, per\u00f2 parteix de la pilota per reflexionar i per explicar el pa\u00eds\u201d<\/strong>.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/episode\/4drF3VwwiBeMHGoprQ2Ozw?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-testid=\"embed-iframe\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">El relat naix, literalment, d\u2019un any de dissabtes repetits. Durb\u00e0 diu que ja era aficionat, per\u00f2 que va decidir convertir l\u2019assist\u00e8ncia en un m\u00e8tode: llibreta, tren i observaci\u00f3. El trajecte, des d\u2019Alzira (la Ribera Alta), tamb\u00e9 entra dins la narraci\u00f3, perqu\u00e8 \u201cde vegades durava m\u00e9s el trajecte del tren que la partida en si\u201d.El p\u00f2dcast tamb\u00e9 obri el focus cap al futur i cap a la pol\u00edtica simb\u00f2lica. Chuli\u00e0 adverteix que les fotos no serveixen si no hi ha condicions materials i culturals. <strong>\u201cEl m\u00e9s important no \u00e9s fer-se la foto, sin\u00f3 crear les condicions perqu\u00e8 el m\u00f3n de la pilota tinga futur\u201d, <\/strong>afirma, i lliga la conclusi\u00f3 a la identitat: <strong>\u201cContinuarem jugant de la pilota mentre siguem valencians\u201d<\/strong>.<\/p>\n<p style=\"text-align: justify;\">El llibre ho formula en termes de guia de barri i de diagn\u00f2stic social. Una mirada sobre \u201cl\u2019assimilaci\u00f3 ling\u00fc\u00edstica i cultural\u201d, \u201cla resist\u00e8ncia de les classes subalternes\u201d i \u201cles envestides del progr\u00e9s\u201d, amb la pilota com a fil conductor. Per\u00f2, amb tot, la pilota existeix i resisteix com palmera que aguanta l\u2019hurac\u00e0. I aix\u00ed, el m\u00f3n de la pilota \u201cconserva\u201d algunes ess\u00e8ncies del poble valenci\u00e0.<\/p>\n<figure id=\"attachment_11766\" aria-describedby=\"caption-attachment-11766\" style=\"width: 1200px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11766 size-full\" src=\"https:\/\/www.radioklara.org\/radioklara\/wp-content\/uploads\/2026\/01\/20260122_durba_lnv82-cover-1200x675-1.jpg\" alt=\"\" width=\"1200\" height=\"675\" srcset=\"https:\/\/www.radioklara.org\/radioklara\/wp-content\/uploads\/2026\/01\/20260122_durba_lnv82-cover-1200x675-1.jpg 1200w, https:\/\/www.radioklara.org\/radioklara\/wp-content\/uploads\/2026\/01\/20260122_durba_lnv82-cover-1200x675-1-300x169.jpg 300w, https:\/\/www.radioklara.org\/radioklara\/wp-content\/uploads\/2026\/01\/20260122_durba_lnv82-cover-1200x675-1-1024x576.jpg 1024w, https:\/\/www.radioklara.org\/radioklara\/wp-content\/uploads\/2026\/01\/20260122_durba_lnv82-cover-1200x675-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-11766\" class=\"wp-caption-text\">Sergi Durb\u00e0 als estudis de R\u00e0dio Klara durant l&#8217;entrevista que es va gravar el dimecres 21 de gener de 2026.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sergi Durb\u00e0 i Ricard Chuli\u00e0 presenten al p\u00f2dcast de \u00abLa Nostra Veu\u00bb el llibre \u00abPelayo Blues\u00bb que usa la pilota com a met\u00e0fora per parlar de llengua, barri, modernitat i futur Josan Piqueres &nbsp; El p\u00f2dcast de La Nostra Veu asseu a l\u2019estudi Sergi Durb\u00e0 i Ricard Chuli\u00e0, editor de Rebel Edicions, amb una idea<\/p>\n","protected":false},"author":2,"featured_media":11766,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"sns_share_botton_hide":"","vkExUnit_sns_title":"","_vk_print_noindex":"","sitemap_hide":"","_veu_custom_css":"","veu_display_promotion_alert":"","vkexunit_cta_each_option":"","footnotes":""},"categories":[1,3,791],"tags":[854,853,801,1432,1484],"class_list":["post-11765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies","category-opinio","category-podcast","tag-diari-la-veu","tag-la-nostra-veu","tag-podcast","tag-ricard-chulia","tag-sergi-durba"],"veu_head_title_object":{"title":"","add_site_title":""},"_links":{"self":[{"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/posts\/11765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/comments?post=11765"}],"version-history":[{"count":0,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/posts\/11765\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/media\/11766"}],"wp:attachment":[{"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/media?parent=11765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/categories?post=11765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radioklara.org\/radioklara\/wp-json\/wp\/v2\/tags?post=11765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}